|
White City is the common name of dozens of amusement parks in the United States, the United Kingdom, and Australia. Inspired by the White City and Midway Plaisance sections of the World's Columbian Exhibition of 1893, the parks started gaining in popularity in the last few years of the 19th century. After the 1901 Pan-American Exposition inspired the first Luna Park in Coney Island, a frenzy in building amusement parks (including those to be named White City, Luna Park, and Electric Park) ensued in the first two decades of the 20th century. Like their Luna Park and Electric Park cousins, a typical White City park featured a shoot-the-chutes and lagoon, a roller coaster (usually a figure eight or a mountain railway), a midway, a Ferris wheel, games, and a pavilion. Some White City parks featured miniature railroads. Many cities had two (or all three) of the Electric Park/Luna Park/White City triumvirate in their vicinity... with each trying to outdo the others with new attractions. The competition was fierce, often driving the electric parks out of business due to increased cost due to equipment upgrades and upkeep and increasing insurance costs. More than a few succumbed to fire. Only one park that was given the White City name continues to operate today: Denver's White City, opened in 1908, is currently Lakeside Amusement Park. ==Origin== The enormously successful 1893 World's Columbian Exposition in Chicago attracted 26 million visitors and featured a section that is now commonly considered the first amusement park: a midway (the mile-long Midway Plaisance), the first Ferris wheel constructed by George Ferris, a forerunner of the modern roller coaster (Thomas Rankin's Snow and Ice Railway, later moved to Coney Island),〔Robert Cartmell, ''The American Scream Machine: A History of the Roller Coaster (Popular Press 1987) ISBN 0-87972-342-4〕 lighting and attractions powered by alternating current (Sebastian Ziani de Ferranti had just completed the first power plant with AC power in London only the year before), and the debut of several kinds of foods in the United States: the hamburger, shredded wheat, Cracker Jack, Juicy Fruit chewing gum, and pancakes made using Aunt Jemima pancake mix. The Zoopraxographical Hall was the first commercial theater. Ragtime composed and performed by Scott Joplin exposed millions of people to a new form of music and instantly became a staple for fairs and carnivals.〔Richard Crawford, ''America's Musical Life: A History'' (W. W. Norton & Company 2001) ISBN 0-393-04810-1〕 While the Midway Plaisance became the Exposition's main drawing card, it was not the primary purpose of the World's Fair in the eyes of its founders, who pictured it to be the beginning of a classical renaissance featuring electricually-lit white stucco buildings (collectively known as White City) occupying the main court. While White City gave the park its visual identity, the throngs who attended the Columbian Exposition tended to collect at the Midway Plaisance (and Buffalo Bill's Wild West Show, which set up shop just outside the park grounds after the fair's founders rejected Buffalo Bill Cody's attempt to become an official Columbian Exhibition exhibitor).〔 The World's Fair was destined to be remembered primarily for two ironic visions, that of the crowds at the Midway Plaisance (which essentially was the first modern amusement park with its entertainment, including exhibitions of boxer John L. Sullivan and exotic dancer Little Egypt, its games and its rides) and the architecture of the (far less popular) White City. Much of the Midway Plaisance reappeared in Coney Island's Steeplechase Park by the end of 1897 (but not the Ferris wheel, which had been committed to the 1904 World's Fair in St. Louis: a smaller version was built and installed in Paul Boyton's Steeplechase Park instead... along with a sign that stated "On this sile will be erected the world's largest Ferris Wheel").〔 While Steeplechase Park eventually became one of the earliest embodiments of an amusement park, Chicago had one to replace Midway Plaisance a year after the close of the Columbian Exposition, Paul Boyton's Water Chutes, featuring a shoot-the-chutes ride that wasn't present in the Columbian Exposition, but would soon become a staple of amusement parks to come.〔Jim Futrell, ''Amusement Parks of New Jersey'' (Stackpole Books 2004) ISBN 0-8117-2973-7〕 Paul Boyton's Water Chutes was the first amusement to charge admission when it opened in 1894; inspired by the immediate success of his Chicago park (500,000 people visiting it in its first year of operation), he moved (and expanded) Water Chutes in 1896, a year after he started the similar Sea Lion Park in Coney Island.〔Jim Futrell, ''Amusement Parks of New York'' (Stackpole Books 2006) ISBN 0-8117-3262-2〕 Foretelling a fate similar to most amusement parks that followed, Paul Boyton's Water Chutes went out of business in 1908,〔 in the face of increasing competition, mainly exhibition parks inspired by the Columbian Exposition in Chicago ("White City") and the 1901 Pan-American Exposition in Buffalo ("Luna Park") and the emergence of trolley parks owned and operated by railroads and electric companies ("Electric Park"). In 1901, Boyton sold Sea Lion Park to Frederick Thompson and Elmer Dundy, who operated "A Trip to the Moon" in both Buffalo and Steeplechase Park. Thompson and Dundy quickly redesigned Sea Lion Park and redubbed it Luna Park, which quickly added to the legend of Coney Island.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「White City Amusement Park should redirect to this, and all of below articles should have White City Amusement Park (Foo) and White City, Foo redirects -->White City is the common name of dozens of amusement parks in the United States, the United Kingdom, and Australia. Inspired by the White City and Midway Plaisance sections of the World's Columbian Exhibition of 1893, the parks started gaining in popularity in the last few years of the 19th century. After the 1901 Pan-American Exposition inspired the first Luna Park in Coney Island, a frenzy in building amusement parks (including those to be named White City, Luna Park, and Electric Park) ensued in the first two decades of the 20th century.Like their Luna Park and Electric Park cousins, a typical White City park featured a shoot-the-chutes and lagoon, a roller coaster (usually a figure eight or a mountain railway), a midway, a Ferris wheel, games, and a pavilion. Some White City parks featured miniature railroads. Many cities had two (or all three) of the Electric Park/Luna Park/White City triumvirate in their vicinity... with each trying to outdo the others with new attractions. The competition was fierce, often driving the electric parks out of business due to increased cost due to equipment upgrades and upkeep and increasing insurance costs. More than a few succumbed to fire. Only one park that was given the White City name continues to operate today: Denver's White City, opened in 1908, is currently Lakeside Amusement Park.==Origin==The enormously successful 1893 World's Columbian Exposition in Chicago attracted 26 million visitors and featured a section that is now commonly considered the first amusement park: a midway (the mile-long Midway Plaisance), the first Ferris wheel constructed by George Ferris, a forerunner of the modern roller coaster (Thomas Rankin's Snow and Ice Railway, later moved to Coney Island),Robert Cartmell, ''The American Scream Machine: A History of the Roller Coaster (Popular Press 1987) ISBN 0-87972-342-4 lighting and attractions powered by alternating current (Sebastian Ziani de Ferranti had just completed the first power plant with AC power in London only the year before), and the debut of several kinds of foods in the United States: the hamburger, shredded wheat, Cracker Jack, Juicy Fruit chewing gum, and pancakes made using Aunt Jemima pancake mix. The Zoopraxographical Hall was the first commercial theater. Ragtime composed and performed by Scott Joplin exposed millions of people to a new form of music and instantly became a staple for fairs and carnivals.Richard Crawford, ''America's Musical Life: A History'' (W. W. Norton & Company 2001) ISBN 0-393-04810-1While the Midway Plaisance became the Exposition's main drawing card, it was not the primary purpose of the World's Fair in the eyes of its founders, who pictured it to be the beginning of a classical renaissance featuring electricually-lit white stucco buildings (collectively known as White City) occupying the main court. While White City gave the park its visual identity, the throngs who attended the Columbian Exposition tended to collect at the Midway Plaisance (and Buffalo Bill's Wild West Show, which set up shop just outside the park grounds after the fair's founders rejected Buffalo Bill Cody's attempt to become an official Columbian Exhibition exhibitor). The World's Fair was destined to be remembered primarily for two ironic visions, that of the crowds at the Midway Plaisance (which essentially was the first modern amusement park with its entertainment, including exhibitions of boxer John L. Sullivan and exotic dancer Little Egypt, its games and its rides) and the architecture of the (far less popular) White City. Much of the Midway Plaisance reappeared in Coney Island's Steeplechase Park by the end of 1897 (but not the Ferris wheel, which had been committed to the 1904 World's Fair in St. Louis: a smaller version was built and installed in Paul Boyton's Steeplechase Park instead... along with a sign that stated "On this sile will be erected the world's largest Ferris Wheel").While Steeplechase Park eventually became one of the earliest embodiments of an amusement park, Chicago had one to replace Midway Plaisance a year after the close of the Columbian Exposition, Paul Boyton's Water Chutes, featuring a shoot-the-chutes ride that wasn't present in the Columbian Exposition, but would soon become a staple of amusement parks to come.Jim Futrell, ''Amusement Parks of New Jersey'' (Stackpole Books 2004) ISBN 0-8117-2973-7 Paul Boyton's Water Chutes was the first amusement to charge admission when it opened in 1894; inspired by the immediate success of his Chicago park (500,000 people visiting it in its first year of operation), he moved (and expanded) Water Chutes in 1896, a year after he started the similar Sea Lion Park in Coney Island.Jim Futrell, ''Amusement Parks of New York'' (Stackpole Books 2006) ISBN 0-8117-3262-2Foretelling a fate similar to most amusement parks that followed, Paul Boyton's Water Chutes went out of business in 1908, in the face of increasing competition, mainly exhibition parks inspired by the Columbian Exposition in Chicago ("White City") and the 1901 Pan-American Exposition in Buffalo ("Luna Park") and the emergence of trolley parks owned and operated by railroads and electric companies ("Electric Park"). In 1901, Boyton sold Sea Lion Park to Frederick Thompson and Elmer Dundy, who operated "A Trip to the Moon" in both Buffalo and Steeplechase Park. Thompson and Dundy quickly redesigned Sea Lion Park and redubbed it Luna Park, which quickly added to the legend of Coney Island.」の詳細全文を読む スポンサード リンク
|